Everything we get asked about car shoots, motorcycle and big bike shoots, event coverage, booking, pricing, and travel — grouped by what you came here for.
Car meets, custom builds, dealership rosters, owner features. Cavite, Metro Manila, and across PH.
Clque is an automotive photographer based in Cavite, Philippines — covering car meets, custom builds, dealership launches, and automotive events across PH with a deep passion for car culture.
You can hire Clque directly from Cavite, with coverage across Metro Manila and nearby provinces. Available for car meets, custom vehicle shoots, dealership inventory photography, and automotive events. Email mcmirafuente@gmail.com or call +63 936 689 3620.
Yes — car meets, car shows, dealership launches, and automotive events are a core part of the work. Available for one-off coverage and ongoing club or brand partnerships.
Four packages priced for the outcome you walk away with — THE FEATURE from ₱5,000 (stills-only feature for one car or bike), THE ROLLING CUT from ₱6,500 (stills plus a 15–30s motion reel — the value sweet spot), THE COVERAGE from ₱15,000 (event gallery plus recap reel), and THE EDITORIAL from ₱28,000 (full magazine treatment plus an owner-story film). Motion is included on every tier except The Feature.
Yes — dealership rosters and launches are a regular part of the schedule. Consistent inventory photography for luxury, exotic, JDM, and everyday vehicles, plus full coverage for new-model launches. Retainer arrangements available.
Anything with a story — JDM, Euro, exotic, luxury, daily-driven builds, restorations, and stock cars. The car doesn't need to be modified; it needs to mean something to the owner.
No, RAW files aren't included by default. You receive high-resolution colour and black-and-white JPEGs (plus a motion edit on every tier above The Feature), with turnaround scaling by tier (3 days for The Feature, 5 for The Rolling Cut and The Coverage, 7 for The Editorial). RAWs are negotiable for editorial and dealership clients on request.
Yes — rolling shots and chase-car sessions are part of the editorial workflow. We arrange a safe, legal stretch of road and a follow vehicle, then run multiple passes to lock motion blur, panning sharpness, and clean backgrounds.
Golden hour either side of the day is the default — roughly the first hour after sunrise and the last hour before sunset. Night shoots and blue-hour neon work are also on the table when the build or location calls for it.
Yes — multi-car sessions are common for club features, two-car friendship rolls, and small group editorials. Pricing scales with car count and hours; usually quoted as THE COVERAGE package from ₱15,000.
Motorcycle and big bike features, ride days, club meets, and MotoGP-style action work.
Yes — motorcycle and big bike shoots are a regular part of the roster. Owner features, club rides, dealership launches, and ride days are all on the table, including 600cc+ machines and litre-class bikes.
THE FEATURE for one rider starts at ₱5,000 (stills-only), THE ROLLING CUT runs from ₱6,500 and adds a 15–30s motion reel with MotoGP-style action work, THE COVERAGE from ₱15,000 covers ride days, club meets, and dealership half-days with a recap reel, and THE EDITORIAL from ₱28,000 is the full magazine-grade treatment with an owner film.
Yes — full coverage for club rides, ride days, and bike meets is available. Multi-rider action shots, static portraits, and atmosphere coverage delivered as a single edited gallery.
Yes — panning, tracking, and roll-shot work for big bikes is a specialty. We coordinate a chase rider or stationary positions on legal, safe stretches to get cinematic motion frames without compromising the ride.
Yes — dealership launches and showroom features are covered the same way as car dealerships. Inventory rosters, new-unit reveals, and event coverage with same-day or next-day social delivery available.
Yes, when access is arranged through the organiser. Long-lens action work and pit-side documentation are available — let us know the event and we'll confirm credentials and positioning.
Cavite is home base, with regular shoots across Metro Manila, Tagaytay, Batangas, and the wider Luzon ride routes. Anything past Tagaytay/Batangas adds a small travel fee.
Yes — full riding gear (helmet, gloves, jacket, proper footwear) is required for any rolling or action work. Static portraits can be shot in casual clothing if that's the vibe of the feature, but safety gear is non-negotiable when the bike is moving.
Yes — the work isn't limited to big bikes. Scooters, vintage two-strokes, café-racer restos, and underbone builds all get the same editorial treatment. The story matters more than the displacement.
Yes — rider portraits, helmet-off frames, and lifestyle stills are part of the standard owner-feature deliverable. We carve out a portrait block during the session so you walk away with both bike and rider hero shots.
Car meets, brand activations, dealership launches, sports events, and sponsor reels.
Yes — car meets, car shows, dealership launches, brand activations, and motorsport events are all regularly covered. Both one-off events and full season partnerships are available.
Yes — sports event coverage is part of the work, especially motorsport, club racing, and team events. Action sequences, athlete portraits, podium coverage, and sponsor activations all in scope.
Yes — sponsor-facing content and brand activation coverage are common deliverables. Edited stills, social-ready cuts, and full media-kit galleries built around your sponsor placements.
Same-day social-ready selects are available for events when arranged in advance. The full edited gallery and recap reel land in 5 days under The Coverage; rush 48-hour turnaround is available for +25% if your campaign deadline is tighter.
Yes — dealership launches, showroom openings, and new-model reveals are covered regularly. Coverage includes hero shots, atmosphere, guest moments, and inventory frames.
Yes — multi-day events, festivals, and weekend-long activations are covered on day-rate or full-package pricing. Same-day social drops plus a full final gallery after the event.
THE COVERAGE package starts at ₱15,000 and includes both a photo gallery and a recap motion reel cut for socials. Multi-day events, multi-stage activations, or second-operator setups are quoted on top after a short brief — email mcmirafuente@gmail.com.
Yes — THE COVERAGE package includes both a photo gallery and a 30–60 second recap motion reel cut for socials, as a single bundled deliverable. For larger events a second operator runs photo and video in parallel so neither side gets compromised; that's quoted as an add-on.
Yes — second-shooter and multi-operator setups are arranged when the event scale demands it. Larger meets, dealership launches, and multi-stage activations usually benefit from two angles running in parallel.
Yes — sponsor-clean galleries are a standard option for event work. We flag sponsor placements during the shoot, edit for clean logo visibility, and deliver a separate sponsor-facing set alongside the main gallery.
How to book, how pricing works, deposits, reschedules, and what you get back.
Pick a date at clque.xyz/book — your slot stays TENTATIVE until the 50% deposit (GCash or bank) lands, then it's locked. You'll get a confirmation email with deposit instructions, a shoot-brief form once the deposit clears, and a call sheet a few days before the shoot.
Minimum 3 days lead time. Two weeks ahead is the sweet spot for weekend slots; weekday golden-hour slots often open up same-week. Check live availability on the booking page.
Every package includes the shoot, full editing, and a stills gallery (colour plus black-and-white JPEGs). Motion is bundled in on every tier above The Feature — a 15–30s reel on The Rolling Cut, a 30–60s recap reel on The Coverage, and a 60–90s owner film on The Editorial. Turnaround scales with the tier — 3 days on The Feature, 5 on The Rolling Cut and The Coverage, 7 on The Editorial. Studio bookings, travel beyond Batangas, extended reels, and rush turnaround are quoted as add-ons, never sneaked in.
Yes — a 50% deposit is required to lock your booking. Payable via GCash or bank transfer. The balance is due on or before shoot day.
Free reschedule up to 48 hours before the shoot. Inside 48 hours, 30% of the deposit is forfeited. Storms and dangerous weather are always a free reschedule, no questions asked.
Turnaround scales with the tier — 3 days for The Feature, 5 for The Rolling Cut and The Coverage, 7 for The Editorial. Same-day or next-day socials can be arranged for events and dealership launches when flagged in the brief.
No, RAW files aren't included by default. You get high-resolution colour and black-and-white JPEGs. RAWs are negotiable for editorial and dealership clients on request.
Yes — we work with a partner studio in Imus, Cavite with a cyc wall and rigging. Studio booking adds ₱4,000 to any package.
Pick THE FEATURE (₱5,000) for one car or bike, stills only — the cleanest entry option. THE ROLLING CUT (₱6,500) is the sweet spot: same shoot plus a 15–30s motion reel for socials, recommended for most owners. THE COVERAGE (₱15,000) handles meets, ride days, dealership launches, and sports — gallery plus recap reel. THE EDITORIAL (₱28,000) is the full magazine-and-film treatment for finished hero builds.
Yes — packages stack and add-ons layer on. Common combinations are THE FEATURE plus a studio add-on for clean hero stills, THE COVERAGE plus a post-event EDITORIAL on a hero car, or THE ROLLING CUT plus an extended motion reel for sponsor content. Every add-on is quoted up front with the booking.
Yes — a sample agreement and a category-matched shot list are sent over once your date is held. Both are kept simple in plain language so there are no surprises on shoot day.
Where Clque shoots, how travel works, and what to expect outside the home base.
Clque is based in Cavite, Philippines — Metro Manila, Tagaytay, and Batangas are all within easy reach.
Yes — most of Luzon is on the table without issue. Anything past Tagaytay or Batangas adds a small travel fee that we'll quote up front.
Yes — Metro Manila is a regular working area, with no extra travel fee. Most parking garages, rooftop decks, and EDSA-adjacent locations are familiar territory.
Yes, for the right project. Inter-island shoots are quoted with flights, ground transport, and accommodation rolled in — best booked at least 3 weeks ahead.
Yes — international shoots have been done (including Australia) and are quoted separately based on destination and scope. Reach out with the brief and we'll scope it together.
Yes — location scouting is included for shoots inside Cavite and Metro Manila. We've got a working list of car-friendly spots: parking garages, overlooks, industrial backdrops, and clean stretches of road.
Rain and storm days are free reschedules, always. We'd rather move the date than fight the weather and lose the shot.
Yes — Australia shoots have been done before, so AU coverage is possible. It isn't a routine offering, so it's quoted case-by-case based on dates, city, and scope. Reach out early with the brief if you want to lock something in.
Yes — permits and location coordination are handled together as part of the booking. For private property (rooftops, garages, industrial estates) we work with you to secure permission; for public roads we choose legal, safe stretches and avoid anything that requires a closure.
Yes — once the package is locked, you'll get a shortlist of vetted locations within a sensible radius of your starting point. The list mixes hero backdrops (urban, industrial, rural) with practical considerations like parking, lighting direction, and golden-hour timing.
Editing, turnaround, file formats, revisions, and how galleries are delivered.
Turnaround scales by package — The Feature lands in 3 days, The Rolling Cut and The Coverage in 5 days, The Editorial in 7 days. Same-day or next-day social-ready selects can be arranged when flagged in your brief — common for events and dealership launches.
Galleries are delivered through a private online link you can view, download, and share. The link stays live for at least 90 days, with the option to extend if you need long-term hosting.
You receive high-resolution colour JPEGs plus matching black-and-white edits, sized for both print and web use. Other formats (TIFF, PNG, social-cropped exports) can be requested at no extra cost.
THE FEATURE delivers 20–25 final edits (stills only). THE ROLLING CUT lands a similar stills set plus a 15–30s motion edit. THE COVERAGE runs 80–150 frames depending on event length plus a 30–60s recap reel. THE EDITORIAL delivers 40+ magazine-grade stills with a 60–90s owner film. Quality of edits is prioritised over raw count.
Yes — one round of revisions is included with every gallery for colour tweaks, crop changes, or minor retouching. Additional rounds are quoted at a flat per-image rate.
Yes — background swaps, plate replacements, sky composites, and heavy retouching are available as editorial add-ons. These are quoted separately because of the time involved, usually per final hero image.
Yes — printed deliverables are available on request, from single fine-art prints through to full magazine-style layouts. We work with a trusted print partner for paper stock, binding, and finishing.
Who owns the images, how they can be used, credit, and commercial licensing.
Copyright stays with the photographer, but you receive a broad personal-use licence for every delivered image. That covers social media, personal prints, and showing friends — commercial use is a separate licence agreed in writing.
Yes — personal social media posting is included with every booking. A photo credit (@clque or clque.xyz) is appreciated and helps the work reach more people who care about car and bike culture.
Yes — commercial licensing is available and quoted on top of the shoot package. Dealerships, brands, sponsors, and publications get clear written terms covering scope, duration, and territory.
Yes for public posting, and it's genuinely appreciated. A simple @clque tag or clque.xyz mention is enough — it costs nothing and helps build the network the work depends on.
Light crops and platform-required edits (Instagram aspect ratios, story sizing) are fine. Heavy recolouring, filter stacks, or AI manipulation aren't permitted on delivered work — the gallery is the final edit; reach out if you want a different look and we'll re-edit.
Yes — editorial publication is welcomed and licensing for print or online features is straightforward. Email the publication name, scope, and run dates and you'll get terms back within 24 hours.
How to pay, deposits, invoicing for businesses, refunds, and currency.
Payment is by GCash or local bank transfer, with a 50% deposit to lock the booking and the balance due on or before shoot day. Account details and reference numbers are sent with your booking confirmation.
Credit cards and PayPal are available on request for international clients and corporate bookings, with a small processing fee added on top. For local clients, GCash and bank transfer remain the cleanest options.
Yes — proper invoices and acknowledgement receipts are issued for every booking, with company-name, TIN, and address details captured at booking. BIR-registered receipts can be arranged when needed for corporate accounting.
Yes — monthly and quarterly retainer arrangements are common for dealerships, brands, and clubs that need regular content. Retainers lock in a discounted hourly rate plus priority scheduling and quicker turnaround.
Deposits cover the time blocked off and pre-production work, so they're non-refundable once the date is locked. Cancellations more than 48 hours before the shoot can convert the deposit into a credit for a future date within 6 months.
Yes — international and Australian bookings can be paid in AUD, USD, or SGD via bank transfer or PayPal. Quotes are issued in the chosen currency with PHP equivalents shown for transparency.
What's in the kit, how shoots are run on the day, and the editing workflow.
The main kit is a Fujifilm X-S20 paired with a Sigma 18-55mm for wide-to-mid work and a Viltrox 85mm for tight portrait and detail frames. The combination handles everything from intimate owner features to fast-moving event coverage.
Yes — motion is a flagship deliverable, bundled into three of the four tiers. THE ROLLING CUT (from ₱6,500) is the entry point for stills + motion; THE COVERAGE adds an event recap reel; THE EDITORIAL includes a 60–90s owner film. The Fujifilm X-S20 handles hybrid stills-and-video, the DJI Osmo Pocket 3 runs B-roll and BTS, the DJI RS3 Mini gimbal handles tracking and rolling-shot work, and motion is graded in DaVinci Resolve the same week as the stills.
Not at the moment — current coverage is all ground-based across the Fujifilm body, Pocket 3, and gimbal. Aerial work is arranged through a trusted drone partner when the brief specifically calls for it.
Photo editing is done in Lightroom for colour, tone, and finishing, then layered with selective retouching where each frame needs it. Video is cut and graded in DaVinci Resolve for the same hand-finished, editorial look as the stills.
Yes — a compact off-camera flash and modifier kit comes along for golden-hour fill, night work, and indoor studio sessions. Most outdoor car and bike work is lit with natural light first; strobes only come out when the scene needs them.
Each shoot starts with a 10-minute walkthrough at the location — vibe check, owner intro, and a quick look at the car or bike. From there it's structured into wide hero frames, mid-range detail passes, portrait blocks, and any rolling or motion work, with breaks between for hydration and reviewing frames together.
Yes — bringing a friend, partner, or fellow club member is welcome and often makes the shoot better. They can help with reflections, holding gear, or just keeping the energy up between sets.